For Flute or Piano or Mandoline or Percussion or Bassoon or Guitar or Violin or Harp or Clarinet or......(2017) for any (group of) instrument(s) voices and video playback. In this case the composer is also the percussionist.
Nascent/Naissant (2016) for harp and sampler. Miriam Overlach, harp and Wilbert Bulsink sampler. Two different performances....
Waan (2012) for narrator, oboe, synthesizer, 2 clarinets and 2 trombones. Text and narration, Ilja Leonard Pfeiffer, Nederlands Blazers Ensemble.
26 fragments, or doing things in the age where everything has been done (2016)
for bassclarinet, violin, cello, guitar, percussion and sampler.
Zonder Titel (2015)
for flute, bassclarinet, harp and percussion/sampler.
Trakl, lied mit einer nicht anwesenden sängerin (2017) for two guitars treated as percussion instruments and video. In a live performance the speaker with the singer is placed invisibly behind the audience. Performers: Ruud Roelofsen and Bart de Vrees.
In my Room (thoughts about a possibility) (2009-2010) for voice, violin, viola, cello, percussion and four speaker surroundtrack. Live recording 2014 by Ensemble Looptail & Friends: Anat Spiegel, voice, Jellantjse de Vries, violin, Arwen van der Burg, viola, Sebastiaan van den Bergh, cello and Ryoko Imai, percussion. Video by Eric de Clercq.
Nabij (in memoriam A.G.) (2007) for solo bassdrum and offstage tubular bells.
Ruud Roelofsen - bassdrum
In my room (thoughts about a possibillity) (2009)
for voice, violin, viola, cello, percussion and quadrophonic soundtrack.
For flute or piano or mandolin, or percussion or bassoon or guitar or violin or harp or clarinet or....... (2017)
for any (amplified) solo instrument/voice or combination of instuments/voices and video.