26 fragments, or doing things in the age where everything has been done (2015)
In my room (thoughts about a possibility) (2009-2010)
For Flute or Piano or Mandoline or Percussion or Bassoon or Guitar or Violin or Harp or Clarinet or......(2017) for any (group of) instrument(s) voices and video playback. In this case the composer is also the percussionist.
Trakl, lied mit einer nicht anwesenden sängerin (2017) for two guitars treated as percussion instruments and video. In a live performance the speaker with the singer is placed invisibly behind the audience. Performers: Ruud Roelofsen and Bart de Vrees.
Nascent/Naissant (2016) for harp and sampler. Miriam Overlach, harp and Wilbert Bulsink sampler.
Waan (2012) for narrator, oboe, synthesizer, 2 clarinets and 2 trombones. Text and narration, Ilja Leonard Pfeiffer, Nederlands Blazers Ensemble.
26 fragments, or doing things in the age where everything has been done (2016)
for bassclarinet, violin, cello, guitar, percussion and sampler.
In my room (thoughts about a possibillity) (2009)
for voice, violin, viola, cello, percussion and quadrophonic soundtrack.
Zonder Titel (2015)
for flute, bassclarinet, harp and percussion/sampler.
for harp and sampler.